The
Rijksmuseum treats art as therapy.
Inside the gallery, there are yellow posters strewn around various
paintings. The authors of these giant
post-it notes explain art in a very warm, approachable manner. Museum-going is often viewed as a snobby
activity designed to elevate one’s status and exercise the cerebral
cortex. But the average person shouldn’t
feel pressured to memorize names, dates, or styles. We can admire pretty pictures simply because they
make us happy or they make us forget our pain.
Art
doesn’t have to be cold or boring. I
hate staring at portraits of stuck-up aristocrats with pale skin and frilly
clothing. The women always look like
they could use a good screw, and the men seem as though they haven’t laughed in
ages. But if I don’t want to contemplate
these stern faces, I don’t have to. I
can just move onto the next pretty picture.
“Life
is short and not all artworks are doing things that you need,” the post-it note
authors wrote, “We tend to blame ourselves if we feel bored in an art gallery,
but boredom can be an insight: a signal
to yourself that nothing worthwhile for you is on offer.”
What
if I approached life as though it were a museum filled with people instead of
paintings? Why am I propelled to make
the friends I’ve made? How have I
developed these tastes? And why do some connections
tug at me just a little bit harder?
On
this trip to Europe, I have crossed paths with many strangers, and there are a
few people I’ve grown to truly admire. By
the end of the tour, most of my best friends happened to be those I sought out
in the beginning. There were two picnic
tables outside a London pub where we had our first conversations. Initially, I didn’t say much to those surrounding
me, but then these people became the hardest to say goodbye to. I don’t know if this is a coincidence. Or perhaps we can judge based on outward
appearances and intrinsic qualities who would make for better companions.
Although
it is easy to get swept away with our emotions, I’m not so sentimental as to
suggest I’ve gained a new family. A bond
that strong is not so easily formed in one month. But I will say I’ve made friends I will think
about when I return home. I will wonder how
their lives are different now that we are no longer together.
Before
setting out on a solo journey to Europe, I had not expected to be shaped and
altered by the people I met. I adopted
new philosophies and absorbed foreign accents.
Thanks to the Aussies and the Kiwis in my company, words like “keen” and
“heaps” make more frequent appearances in my vocabulary.
More
important than the lingo is the truth behind the words we said to each
other. We only had thirty-two days to
get to know one another, so whatever was on our minds we had best say it
because we couldn’t be certain we’d see each other again. This is the fullest way to live, but not all
of us can maintain this effort permanently.
As
we hugged each other goodbye, we held back tears or let them loose and made
promises that we may not keep. Plans for
future reunions are handy distractions from the pain of momentary loss. As humans, we get ridiculously attached to
the people and the places we’ve come to like.
If
we could evade the tethering responsibilities of conventional life, we might
delude ourselves into thinking we should stay on the bus and continue riding
around Europe until we grow sick and tired of it. We never want to leave a paradise, so long as
it remains new. But eventually even the
exotic places can become too familiar, and we so easily grow weary of the same
old, same old.
“The
reason I like chocolate cake is because I don’t eat it all the time,” I said to
my friend Dan during our last day on the ride back to London.
“Isn’t
there a saying like absence——or is it distance——makes the heart grow fonder?”
he said.
“Either
one would do.”
Despite
the melancholic partings and the lump in the back of my throat, I was eager to
return home, where I didn’t have to pay to use the bathroom. I could keep all of my clothes in a dresser
rather than haul them around on my back.
I couldn’t wait to stay in one spot for a while. But it is conceivable that I may tire of this
routine and feel trapped inside the house once more.
During
my habitual morning walk to the mailbox at the end of the driveway, I am bound
to gaze down the block and wonder what lay beyond. If my surroundings become stale and I grow
bored with this gallery of the world, I can move onto the next pretty picture. A desire to seek lands yet unacquainted with
our eyes may drive us out of our homes, but stunning views are rarely the most
satisfying souvenirs.
Without
the aid of this journal and my camera, details of this journey would surely
grow foggy with time. Even though I took
care to document the events at the end of each day, moments were assuredly lost
and undoubtedly exaggerated. Memory is
unreliable and imperfect, yet the company we keep does its best to leave
indelible imprints.
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